This Mezcala face pendant was carved and polished from unidentified mottled green stone. Scholars argue that the emphasized eyebrows, rounded eyes, and better-defined mouth of this pendant help place it in the later phase of Mezcala-style development. Mezcala pendants featuring human figures were possibly used as amulets or charms rather than the standing or temple figures that were most likely ornamental.
A great deal remains unknown about Mezcala-Chontal traditions originating in what is now the Mexican state of Guerrero due to a lack of archaeological excavation and analysis. However, interest in such extraordinary abstract forms has been generated since the 20th century, and scholars continue to glean more knowledge about these remarkable traditions and their context within the broader Mesoamerican world through archaeological investigation.
[Throckmorton Fine Art, New York, NY];
The Jan T. and Marica Vilcek Collection, 2006-2010;
Gift to The Vilcek Foundation, 2010;
Rodrigo Prieto receives the Vilcek Prize in Filmmaking for his virtuosity and versatility—the sheer excellence and inventiveness of his work across styles and genres—and his central role in creating some of contemporary cinema’s most indelible works.
Juan Pablo González receives the Vilcek Prize for Creative Promise in Filmmaking for the artistic rigor and deep emotional engagement that he brings to his immersive and intimate explorations of his hometown in rural Mexico.
Fabián Von Hauske Valtierra receives the Vilcek Prize for Creative Promise in Culinary Arts for combining diverse, international culinary influences into a singular voice that is ambitious, experimental, and accessible.
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