This naturalistic mask with large eyes, broad nose, and mouth open, as if frozen in speech, displays the remarkable ability of Teotihuacan artists to fashion stone using techniques developed and refined over centuries. Created from light brown serpentine or limestone, the mask was probably not worn in rituals due to the shape and weight of the work. Rather, it appears likely that it would have been a “death mask” placed over the face of elite individuals and attached through holes in the work’s ears to prepare them for their journey to the afterlife.
From about 100 BCE until 200 CE, the monumental city of Teotihuacan arose in the Valley of Mexico. It would eventually become one of the largest urban settlements in the pre-colonial Americas with a population of approximately 200,000 inhabitants, who helped to construct its magnificent architecture, including some of the largest pyramids on Earth. Such structures were built over caves perceived to be entrances to the underworld. Funeral masks were sometimes adorned with metal (probably iron-pyrite) inlaid eyes, teeth, and earrings. Through the creation of such works, the beliefs and authority of elites, as well as the permanence of Teotihuacan society, were displayed, reinforced, and reproduced.
[Throckmorton Fine Art, New York, NY];
The Jan T. and Marica Vilcek Collection, 2003-2010;
Gift to The Vilcek Foundation, 2010;
Rodrigo Prieto receives the Vilcek Prize in Filmmaking for his virtuosity and versatility—the sheer excellence and inventiveness of his work across styles and genres—and his central role in creating some of contemporary cinema’s most indelible works.
Juan Pablo González receives the Vilcek Prize for Creative Promise in Filmmaking for the artistic rigor and deep emotional engagement that he brings to his immersive and intimate explorations of his hometown in rural Mexico.
Fabián Von Hauske Valtierra receives the Vilcek Prize for Creative Promise in Culinary Arts for combining diverse, international culinary influences into a singular voice that is ambitious, experimental, and accessible.
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