Carved from a single piece of mottled green-gray stone, this naturalistic mask has large eyes, a broad “aquiline” nose, and an open mouth, revealing the skill to work through stone that Teotihuacan artists developed over millennia. Given the size of the mask, the holes in the ears and nostrils, as well as the spaces in the eyes and mouth, it was probably worn by a very elite individual or created to accompany one to the afterlife. Such funeral masks were sometimes adorned with metal (probably iron-pyrite) inlaid eyes, teeth, and earrings. Through the creation of such works, the beliefs and authority of elites, as well as the permanence of Teotihuacan society, were displayed, reinforced, and reproduced.
From about 100 BCE until 200 CE, the monumental city of Teotihuacan arose in the Valley of Mexico.
Though the civilization likely endured until around 600 CE, the city eventually declined. Pervasive evidence of highly selective fire reveals that the ruling elite of Teotihuacan lost legitimacy and were likely overcome by an angry populace, a foreign power, or both. By the time the Mexica (Aztecs) arrived in the Valley of Mexico centuries later, the site was shrouded in mystery, incorporated into Mexica beliefs, and eventually named Teotihuacan, or “Abode of the Gods.”
[Throckmorton Fine Art, New York, NY];
The Jan T. and Marica Vilcek Collection, 2005-2010;
Gift to The Vilcek Foundation, 2010;
Valeria Luiselli receives the Vilcek Prize for Creative Promise in Literature for intelligent, distinctive fiction and nonfiction that interrogates the United States’ immigration system, and bears witness to those left voiceless by mass deportation.
Fabián Von Hauske Valtierra receives the Vilcek Prize for Creative Promise in Culinary Arts for combining diverse, international culinary influences into a singular voice that is ambitious, experimental, and accessible.
Iman Issa receives the Vilcek Prize for Creative Promise in Fine Arts for exploring, through works of various media, difficult philosophical questions, such as the individual’s relationship to places, figures, and events that are collectively familiar, or the difference between experience and recognition.
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