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Home > Art > Copper II, G.O.A.T.

Copper II, G.O.A.T.

A cast bronze sculpture of a goat on top of a washing machine drum.
A goat sculpture with rebar sticking out of its back.
Ribbons of copper and rebar extend from this goat sculpture's back.
A cast bronze sculpture of a goat on top of a washing machine drum.
A goat sculpture with rebar sticking out of its back.
Ribbons of copper and rebar extend from this goat sculpture's back.
Artist

Nari Ward

Date

2017

Medium

Concrete, sand, fiberglass, red, green and white pigment, rebar, copper, and patina

Object Type

Sculpture

Dimensions

H- 104 x W- 30 x D- 10 in.

Artist's Country of Birth

Jamaica

Collecting Area

Art by Immigrant Artists

Credit Line

The Vilcek Foundation

Accession Number

VF2022.01.02

Copyright

© Nari Ward

Tags
found objects sculpture visual art
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A cast bronze sculpture of a goat on top of a washing machine drum.
A goat sculpture with rebar sticking out of its back.
Ribbons of copper and rebar extend from this goat sculpture's back.
A cast bronze sculpture of a goat on top of a washing machine drum.
A goat sculpture with rebar sticking out of its back.
Ribbons of copper and rebar extend from this goat sculpture's back.

About the Object

In this cast bronze sculpture of a goat, ribbons of copper are skewered through the rebar that covers its back. The goat stands tall on an industrial washing machine drum. In these sculptures, Ward plays with the acronym G.O.A.T., Greatest of All Time, a superlative often used to describe musicians and athletes.

Additional Information

This piece was one of 20 G.O.A.T.s included in the exhibition Nari Ward: G.O.A.T, again at the Socrates Sculpture Park in Queens, New York, in 2017. For the installation at Socrates this piece was placed directly on the ground, without a pedestal. Ward reimagined the piece in 2021 for the Foundation, mounting the sculpture on top of a washing machine drum. Tired, G.O.A.T., 2017 (VF2022.01.01) was also included in this exhibition.

Ward was born in Jamaica and immigrated to the United States with his family at the age of 12; the family settled in Brooklyn, New York. Ward has lived in the New York City area ever since, earning his BA at Hunter College and his MFA at Brooklyn College. He became a U.S. citizen in 2011. Ward received the Vilcek Prize in Fine Arts in 2017 for his body of found-object assemblage artwork that invites both public discourse and intimate dialogue on topics including race, poverty, and Black and Caribbean diasporic identities.

The Artist;
[Jeffrey Deitch, New York, NY];

Long Island City. Socrates Sculpture Park. Nari Ward: G.O.A.T., again. April 29-September 4, 2017.

New York. Vilcek Foundation. Nari Ward: Home of the Brave. May 31, 2022-February 3, 2023.

Tags
found objects sculpture visual art
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2017 Vilcek Prize in Fine Arts

Nari Ward

Born in Jamaica
Nari Ward receives the Vilcek Prize in Fine Arts for a body of found-object assemblage artwork that invites both a public discourse and an intimate dialogue with viewers on topics such as race, poverty, immigration, and the Caribbean diaspora identity.
Portrait of Nari Ward
Exhibition, May 31, 2022 - February 3, 2023

Nari Ward: Home of the Brave

"Nari Ward: Home of the Brave," featuring works by the Jamaican-born artist and Vilcek Prizewinner, is on view at the Vilcek Foundation gallery from May 31, 2022 to February 3, 2023.

Viewing by appointment only. Appointments may be made by emailing
exhibitions@vilcek.org.
A sculpture of a goat with rebar sticking out of it's back.
May 11, 2022

Nari Ward: Home of the Brave

The Vilcek Foundation hosts a new exhibition featuring works by Jamaican-born artist and Vilcek Prizewinner Nari Ward on view from May 31, 2022 to February 3, 2023.
Nari Ward, wearing sunglasses and vest, stands in front of an art installation.

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