Home > Art > Costa Rican Kneeling Shaman Figure with Vessel
About the Object
The unclad seated male figure seen here was carved from volcanic stone and is notable for its upright posture and serene forward gaze. The seated man wears a double-stranded beaded necklace and helmet or headdress. The right hand rests upon the right knee with the palm upturned and displaying some type of vessel, possibly an offering to the gods. Meanwhile, the figure’s empty left hand rests upon the left knee. The size of this work suggests this figure may depict a priest or chieftain. Similar examples have also been recovered at archeological sites at the Guanacaste–Nicoya region.
From Spanish conquistadores to modern archaeologists and other scholars, the societies of Mesoamerica and the Andes have historically attracted the most attention. Meanwhile, the people of the Intermediate or Isthmian areas were also fashioning unique and dynamic societies in what is today Central America, encompassing a zone stretching from contemporary southern Mexico to Venezuela and Ecuador. These areas were vital corridors for the transmission of materials, peoples, and concepts between these two major hearths of pre-colonial civilizations of the Americas. The archaeological division of Costa Rica falls into three style regions: the Guanacaste–Nicoya (northwest), the Central Highlands–Atlantic Watershed (east), and the Diquis (southwest).
[Throckmorton Fine Art, New York, NY];
The Jan T. and Marica Vilcek Collection, 2001-2010;
Gift to The Vilcek Foundation, 2010;
Meleko Mokgosi receives the Vilcek Prize for Creative Promise in Fine Arts for paintings that rely on intensive research, reflection, and conversation in order to address widespread misrepresentation of Africa and Africans, and to accurately portray the continent’s complex social and political realities.
Iman Issa receives the Vilcek Prize for Creative Promise in Fine Arts for exploring, through works of various media, difficult philosophical questions, such as the individual’s relationship to places, figures, and events that are collectively familiar, or the difference between experience and recognition.
Valeria Luiselli receives the Vilcek Prize for Creative Promise in Literature for intelligent, distinctive fiction and nonfiction that interrogates the United States’ immigration system, and bears witness to those left voiceless by mass deportation.
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