The Artist; Estate of the Artist; [Robert Schoelkopf Gallery, New York, NY]; Dr. and Mrs. Max Elleberg, New York, 1975; [Owings-Dewey Fine Art, Santa Fe, NM];
Sarasota, Florida. Ringling Art Museum. Manierre Dawson: Paintings 1909-1913 (November 6-26, 1967); West Palm Beach, Florida. Norton Gallery and School of Art (January 26-February 18, 1968) cat. no. 3.
New York. Robert Schoelkopf Gallery. Manierre Dawson: Paintings 1909-1913. April 5-May 1, 1969, cat. no. 5.
New York. Hirschl & Adler Galleries. Buildings, Architecture in American Modernism: An Exhibition Organized for the Benefit of the Skowhegan School of Painting and Sculpture. October 29-November 29, 1980, p. 24, cat. no. 19, ill. p. 24.
In a journal entry dated April 3, 1910, Dawson wrote: –This spring has been a prolific one. Paintings mainly on wood. Canvas from last year almost run out. The basswood sheets from the crate factory and a little of the Meteer chicken sheathing is still on hand. Some of the paintings are far out and viewers laugh at them, but I am dead serious about every picture…” Reprinted in Abraham Davidson, Manierre Dawson: American Pioneer of Abstract Art, New York 1999, p. 162.
“RECORD of Paintings & Sculpture.” Manierre Dawson Papers, Reel 2428, Frames 8-11. Archives of American Art, Smithsonian Institution.
Davidson, Abraham A. “Two from the Second Decade: Manierre Dawson and John Covert,” Art in America 63, no. 5 (September 1-October975), pp. 50-51, ill. p. 50.
Davidson, Abraham A. Early American Modernist Painting, 1910-1935. New York: Icon Editions, Harper & Row, 1981, p. 264.
Ploog, Randy J. and Myra Bairstow. Manierre Dawson (1887-1969): A Catalogue Raisonné. Jacksonville, FL: The Three Graces, LLC, 2011, p. 147, ill. p. 147, cat. no. 1910.12.
Agee, William C. and Lewis Kachur. Masterpieces of American Modernism: From the Vilcek Collection. London: Merrell, 2013, pp. 152-153, 265, ill. p. 153.