About the Object
In this Cubist still life, Dasburg depicts an upturned tabletop upon which a bowl of fruit—grapes, pear, apples, lemon—rests on an artist’s portfolio. Sheaves of white paper fan out from the top of the folio, balanced by a white form that floats, almost cloud-like, in the lower right. The scene is composed of planes of color, pattern, and texture.
Additional Information
Contrast the Cubist influence of this work with Dasburg’s Apples, 1929, a Cézanne-inspired tabletop still life in the Whitney Museum of American Art.
The Artist;
Gustaf Hellstrom, Woodstock, NY;
By descent to Louise (Shoonmaker) Hellstrom, Woodstock, NY;
Irvington Bar, Woodstock, NY;
Descended in family to Private Collection, Woodstock, NY;
Private Collection, NY;
[Gerald Peters Gallery, Santa Fe, NM];
Tulsa. Philbrook Museum of Art. American Galleries. June 2014-December 2014.
Tulsa. Philbrook Museum of Art. From New York to New Mexico: Masterworks of American Modernism from the Vilcek Foundation Collection (February 8-May 3, 2015); Phoenix. Phoenix Art Museum (June 5-September 6, 2015); Santa Fe. Georgia O’Keeffe Museum (September 25, 2015-January 10, 2016).
Agee, William C. and Lewis Kachur. Masterpieces of American Modernism: From the Vilcek Collection. London: Merrell, 2013, pp. 25, 29, 30, 142-143, 263, ill. pp. 143-145.
Pochoda, Elizabeth. “Freedom and the abstract truth: Jan and Marica Vilcek’s collection of American modernist art,” The Magazine Antiques (May/June 2013), ill. p. 100.
O’Hern, John. “Modern Manor,” American Fine Art Magazine, September/October 2013, ill. p. 63.
Agee, William C. Modern Art in America: 1908-68. London: Phaidon, 2016, p. 77, ill. p. 78.
Wilkin, Karen. “America’s Modern Art: On William Agee’s Modern Art in American: 1908-1968,” The New Criterion, 34, no. 9 (May 2016), p. 51, ill. p. 46.
