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Home > Prizes > Prize Recipients > Oluremi C. Onabanjo

Oluremi C. Onabanjo

2025 Vilcek Prize in Curatorial Work

Location

New York, NY

Title

Peter Schub Curator of Photography, The Museum of Modern Art

Area(s) of Research

Photography, African photography, African American and African diaspora studies, Black diaspora studies

Education

Columbia University (B.A., M.A., M.Phil);
Oxford University (M.Sc., Visual, Material, and Museum Anthropology)

Country of Birth

United Kingdom

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Links to learn more about Oluremi C. Onabanjo's work
  • Oluremi Onabanjo's website

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African studies art art history Columbia University curator harlem MoMA Museum of Modern Art Nigeria Oxford University photography united kingdom visual art
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A portrait of Oluremi Onabanjo.

Curator and scholar Oluremi C. Onabanjo receives the Vilcek Prize in Curatorial Work for her work to examine the power, position and production of Blackness in relation to the unfinished global history of the photographic medium. 

Onabanjo is the Peter Schub Curator of Photography with the Museum of Modern Art in New York. Her academic pursuits have equipped her with a robust intellectual framework, informing her curatorial practices and contributions to the fields of photography and the arts of the Black and African diaspora.

Oluremi wearing a navy dress standing at the bottom of a staircase in front of a stark black wall.

Since joining MoMA in 2021, Onabanjo has organized several exhibitions: In partnership with The Studio Museum in Harlem, she led the development of Projects: Ming Smith and produced the accompanying publication, Ming Smith: Invisible Man, Somewhere, Everywhere. She also led the curation and development of New Photography: 2023. 

In New Photography: 2023 Onabanjo brought focus to work by international photographers with links to Lagos (Èkó), Nigeria, whose work moves beyond documentation and into the function of photography as a social medium. Her masterful curation highlights the relationships that the medium fosters: between photographer and subject, between photographer and the viewer and between subject and viewer. 

Oluremi working with an exhibition model.

Onabanjo’s curatorial expertise and scholarly approach is evident by her work on Marilyn Nance: Last Day in Lagos (2022), which draws on the more than 1,500 images created by photographer Marilyn Nance at the Second World Black and African Festival of Arts and Culture in Nigeria in 1977 (FESTAC 77). Last Day in Lagos is a testament both to the indelible cultural and intellectual impact of FESTAC, and to Nance’s pioneering work in photography in the Black diaspora: Onabanjo expertly weaves these two threads together throughout the book. In December 2025, Onabanjo’s exhibition Ideas of Africa: Portraits and Political Imagination is set to open at MoMA, where it will be on view through April 2026. The exhibition will be accompanied by a full catalog.

Awards & Accomplishments

  • Center for Curatorial Leadership Fellow (2024)
  • Cisneros Institute Curatorial Research Grant (2022)
  • Andy Warhol Foundation Arts Writers Grant (2020)
  • Member, C-MAP Africa Research Group

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Jury Members

2025 Vilcek Prize in Curatorial Work

Ian Alteveer

Beal Family Chair, Department of Contemporary Art, The Museum Fine Arts, Boston

Carlos Basualdo

Marion Boulton “Kippy” Stroud Deputy Director and Chief Curator, The Philadelphia Museum of Art

Alison Gass

Krieger Family Director, Institute of Contemporary Art San Francisco

Valerie Cassel Oliver

Curator of Modern and Contemporary Art, Virginia Museum of Fine Arts

Jane Panetta

Aaron I. Fleischman Curator, Department of Modern and Contemporary Art, The Metropolitan Museum of Art

Akili Tommasino

Associate Curator, Modern and Contemporary Art, The Metropolitan Museum of Art
Tags
African studies art art history Columbia University curator harlem MoMA Museum of Modern Art Nigeria Oxford University photography united kingdom visual art
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