Prize Recipients

Luciano Marraffini receives the Vilcek Prize in Biomedical Science for uncovering the molecular mechanisms by which CRISPR-Cas systems provide bacteria with adaptive immunity against viral infections, and for his investigations into applications of CRISPR-Cas for genome editing.

Ramon Tejada receives the Vilcek Prize in Design for his leadership and commitment to accessibility and decolonization in design practices, and for his pedagogical approach that centers collaboration, inclusion, and radical innovation.

Gerta Hoxhaj receives the Vilcek Prize for Creative Promise in Biomedical Science for her work on mapping the molecular links between signaling pathways and metabolic networks of cancer cells with a focus on identifying vulnerabilities that could be used to develop targeted therapies.

Tomasz Nowakowski receives the Vilcek Prize for Creative Promise in Biomedical Science for the development of technologies to identify and track the regenerative capacity of neural stem cells and neural progenitor cells in the human brain.

Takanori Takebe receives the Vilcek Prize for Creative Promise in Biomedical Science for developing vascularized three-dimensional human organoid tissue from pluripotent stem cells that can be transplanted in humans, paving the way for targeted approaches to intractable liver diseases.

Wael Morcos receives the Vilcek Prize for Creative Promise in Design for his approach to typographic and graphic design that incorporates complex cultural and political histories to create socially relevant visual identities and campaigns.

Juan Carlos Noguera receives the Vilcek Prize for Creative Promise in Design for his equitable approach to product design, especially for his work to develop accessible wheelchairs and educational tools that democratize society by promoting social and scientific engagement.

Maryam Turkey receives the Vilcek Prize for Creative Promise in Design for her practice that seeks to bridge cultural and societal divides while simultaneously challenging the status quo; through organic sculptural forms and surfaces, she deconstructs gender norms, revealing a powerful humanity.

Monika Bincsik receives the Marica Vilcek Prize in Art History for her curatorial approach to Japanese decorative arts and textiles that highlights the interplay of Japanese and international trade, politics, and society on material culture over the past five centuries.