Home > Art > Costa Rican Peg-Base Figure in Diquis Style
About the Object
Featuring a male warrior dressed for battle, this work was carved from volcanic stone. The figure is perched atop a pedestal base and faces forward, open mouth revealing teeth; incised arms placed on each side of the torso, perhaps represent paint or a tattoo. The figure also wears a necklace, loincloth, and what is most likely a stylized helmet. The pedestal itself originally may have been buried to support the work upright.
The archaeological division of Costa Rica falls into three style regions: the Guanacaste–Nicoya (northwest), the Central Highlands–Atlantic Watershed (east), and the Diquis (southwest). In addition to fostering an intrinsic relationship between agricultural and religious iconography, the rivalry for control of resources among ancient Costa Rican traditions is also thought to have caused these cultures to place great value on military prowess. Iconography associated with warfare is often found, especially in sculptural figures like this uncovered in the Diquis region.
[Throckmorton Fine Art, New York, NY];
The Jan T. and Marica Vilcek Collection, 2001-2010;
Gift to The Vilcek Foundation, 2010;
Iman Issa receives the Vilcek Prize for Creative Promise in Fine Arts for exploring, through works of various media, difficult philosophical questions, such as the individual’s relationship to places, figures, and events that are collectively familiar, or the difference between experience and recognition.
Meleko Mokgosi receives the Vilcek Prize for Creative Promise in Fine Arts for paintings that rely on intensive research, reflection, and conversation in order to address widespread misrepresentation of Africa and Africans, and to accurately portray the continent’s complex social and political realities.
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