The object seen here, carved from polished black basalt, depicts an ornamented coiled and feathered snake figure. This plumed snake likely represents the Aztec god Quetzalcoatl (literally “plumed/feathered serpent”), but could also evoke Xiuhcoatl or a blue snake in the Mexica creation story. Among the Mexica, however, Quetzalcoatl was the god of knowledge, wind, fertility, and the arts. Due to the richness of symbolism connected to this feathered serpent god, the title Quetzalcoatl was used to denote high levels of Aztec priesthood.
According to indigenous traditions, around 1200 CE a group of Nahuatl-speaking peoples eventually known as the Aztecs abandoned their homeland, called Aztlán, and began migrating south to the Valley of Mexico. By 1250 CE, a group of the Aztecs called the Mexica arrived in the region around Lake Texcoco.
Finding the land already claimed by more powerful groups and other Aztlán settlers, the Mexica were forced to flee to an island in the middle of Lake Texcoco, where they believed the god Huitzilopochtli (meaning hummingbird) would reveal to them their future home. Eventually, the Mexica came to a place where an eagle devouring a serpent was perched upon a flowering cactus. Interpreting this as a divine sign, the Mexica chose this place as their home and future capital, today Mexico City, calling it Tenochtitlán, or “place of the cactus fruit.”
[Throckmorton Fine Art, New York, NY];
The Jan T. and Marica Vilcek Collection, 2006-2010;
Gift to The Vilcek Foundation, 2010;
Valeria Luiselli receives the Vilcek Prize for Creative Promise in Literature for intelligent, distinctive fiction and nonfiction that interrogates the United States’ immigration system, and bears witness to those left voiceless by mass deportation.
Fabián Von Hauske Valtierra receives the Vilcek Prize for Creative Promise in Culinary Arts for combining diverse, international culinary influences into a singular voice that is ambitious, experimental, and accessible.
Join our Mailing List